Literary Evening for Freeman’s Launch

I don’t often get the chance to attend literary events , but when one is happening it’s img_3906-1usually in Paris and I try my damnedest to get there.  Tuesday night, the 11th of July, I had the pleasure of listening to Edwidge Danticat and Marie Darrieusseecq in promotion of Freeman’s The Best New Writing on Home at Shakespeare & Company in Paris.  This is the third literary anthology of Freeman’s and I’m really excited to discover some new and interesting writers that maybe I’m not that familiar with.

The evening began with waiting in line for seats.  I was accompanied by Manika and Silje both Booktubers you should check out and while waiting we couldn’t help but exchange on bookish topics until we were finally shown to our seats. Lucky for us we weren’t too badly placed.  The weather was nice.  A cool breeze with a hint of rain settled us all into our seats awaiting the commencement of the event.  It started just after 7pm.  John Freeman officiated the event, of course, and drove the talk with precision, asking and making pertinent questions and statements.  I was amazed to see that these two authors as different as they are, race and background, that they share some common ground in the themes they choose to write about.

Marie Darrieusseecq is a French author originally from Bayonne in the Basque region of France.  I was happy to discover her up close and personal since I have heard so much about her but have never read any of her books.  Her novels contain many recurring Being Herethemes – belonging and identity which both authors talked a lot about that evening.  Her latest novel, Being Here:  The Life of Paula Modersohn-Becker was released this month in English translation by The Text Publishing Company.  An excerpt of the novel can be found in Freeman’s if you’re interested in discovering her work before embarking on a full novel.  Darrieusseecq assured me that The Text Publishing Company translation is the best for Being Here: The Life of Paula Modersohn-Becker.  Just to get you a bit more interested in it, here’s the blurb on the front cover, “A burning intelligence and a fierce hold on what it meant and means to be a woman and a artist.” J.M. Coetzee. 😉

Edwidge Danticat is a Hatian-American writer who lives in Brooklyn.  She also writes aDeath lot about identity and belonging, as well as mother-daughter relationships and the diaspora.   Some of her more well-known novels are Breath, Eyes, Memory (her first novel), Krik? Krak! (short stories), and The Dew Breaker, among so many more. Known and loved for her short stories you can find the story All the Home You’ve Got in Freeman’s.  The Art of Death: Writing the Final Story is her newly released novel (July 11, 2017)  which focuses on Danticat’s mother dying of cancer and how death is treated in other novels by authors.

After a series of questions from John Freeman and discussion back and forth between the two authors, the floor was opened for questions.  I couldn’t think of anything to ask because my mind was racing with all the great things they’d said previously.  However there were a few great questions from the audience.  What was great was the lovely natural discussion and humor from both of these ladies.  They played off of each other and that was humorous.

This is the second time I’ve been to a literary event with discussion between two authors and I really do think this should become more of a regular occurrence because it brings to light even more profound discussion of literature, writing, and existence. Wishing that I had taped this event so that I could go back and compare once I’ve read more of their works, I happened upon the podcast version of that evening which I’ll link here.  Shakespeare and Company has a podcast of all of their author events at the link I posted.

Of course the evening wouldn’t have been complete without purchasing a few books and getting autographs.  Thorough as I am, I brought 4 books by Danticat to be autographed from home, which she graciously did. Meanwhile we had a very interesting conversation about reading books out of our comfort zones yet finding that they parallel some of the same themes we usually like to read about.  She also agreed with me about author events with 2 different authors that write about similar themes in different ways.

We finished off the evening with cocktails and more bookish  conversation and anticipating our next literary event…. Shakespeare and Company will surely deliver.

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Baileys Women’s Prize for Fiction Longlist 2017

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The 2017 Baileys prize for women’s fiction longlist:

Stay With Me by Ayòbámi Adébáyò (Canongate)

The Power by Naomi Alderman (Viking)

Hag-Seed by Margaret Atwood (Hogarth)

Little Deaths by Emma Flint (Picador)

The Mare by Mary Gaitskill (Serpent’s Tail)

The Dark Circle by Linda Grant (Virago)

The Lesser Bohemians by Eimear McBride (Faber & Faber)

Midwinter by Fiona Melrose (Corsair)

The Sport of Kings by CE Morgan (4th Estate)

The Woman Next Door by Yewande Omotoso (Chatto & Windus)

The Lonely Hearts Hotel by Heather O’Neill (riverrun)

The Essex Serpent by Sarah Perry (Serpent’s Tail)

Barkskins by Annie Proulx (4th Estate)

First Love by Gwendoline Riley (Granta)

Do Not Say We Have Nothing by Madeleine Thien (Granta)

The Gustav Sonata by Rose Tremain (Chatto & Windus)

So I only guessed two right. Now that I look at the list I should have suspected The Woman Next Door would wind up on the list. So hard to know with this prize.  The books I’m most interested to read are The Sport of Kings, The Power, Do not Say We Have Nothing(on my TBR this year), The Woman Next Door (on my TBR this year), Stay With Me, and finally The Lesser Bohemians.  Sadly the only book I’ve already read on this list is Barkskins.  It will be a tight race for the shortlist.  I’ll be trying to focus on the few I’ve named. So what do you think of this list? Do you feel it’s better than last year’s? I was a little surprised that Swing Time didn’t make it.  Thoughts?

 

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Baileys Women’s Prize for Fiction 2017 Longlist Predictions

The Baileys Women’s Prize for Fiction is one of the literary prizes  thatI look forward to the most.  It is a prestigious UK  prize, founded in 1996, that honors great women writers from all over the world. Wednesday, March 8th the Baileys Women’s Prize Longlist will be announced.  Traditionally the longlist contains 20 choices however this year it may contain less than that.  Regardless of the amount decided on, the longlist should be extremely competitive.  There have been a plethora of excellent novels from well-known powerhouses as well as debut novelists in the period from April 1, 2016  to March 31, 2017 (of course all novels have to be published in the UK during this period to be eligible).  The list is long and illustrious.  I can’t say I’ve read enough of the books that I think would fit the prize’s longlist this year, but I believe I have a pretty good idea of what might wind up on it.

So here are my predictions starting with the books that I’ve read:

 

From the books I haven’t read yet but looking forward to:

 

And finally for the titles I don’t plan on reading that could make it on the list:

 

Those are my predictions but I could be totally wrong. There are really so many great books by women out there.  So what are your predictions for the Baileys Women’s Prize Longlist 2017?  Do you follow this prize or are you anti-literary prizes?

 

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Festival America

 

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Krik? Krak!

img_2994I’d never heard the words Kirk? Krak! and wondered what they meant when I picked this book up.  Reading the back cover, I learned that storytellers say Krik? and listeners say Krak! in Haiti.  Krik? Krak! is a poetic collection of connected short stories that explores the Haitian community in the United States and in Haiti.  The tradition of storytelling is a way of passing down moeurs and is an important part of Haitian culture.  This is specifically treated in this collection – passing culture from mother to daughter.

Krik? Krak! opens with a short story of Haitian refugees that are attempting to escape the political strife and horrors of their country and are floating out to sea desperately trying to reach Miami, while shedding their personal items along the way and in some cases their lives.  Each story is told from the poignant point of view of Haitians however surprising these stories have a strong sense of universality about them as well.  Everyone has a sense of home, a sense of family, of culture, and a desire for a good life.  Danticat does a brilliant job of integrating the recurring themes of water, suffering, and hope.  Water is often portrayed as a barrier.  The barrier that surrounds the island of Haiti and separates it from the Dominican Republic.  Just as the ocean must be crossed to attain a hopeful life in the United States, water is the notion of escape along with the reminder of all the Haitians that didn’t/don’t make it.

It’s very hard to read these stories and not think about the refugees fleeing the horrors of Syria and immigrating to Europe.  Leaving one’s country and having to find the balance between acceptance into a new country and preserving the culture that was left behind.  Danticat’s writing is infectious with a dynamism of superstition and it enlightens the reader to Haitian history.  I strongly recommend reading this short story collection to learn more about Haiti and its people but mostly to experience the passionate manner in which Danticat evokes the honesty, courage, sensitivity, and authenticity of their stories.

Edwidge Danticat is a Haitian-American writer born in Port-au-Prince in 1969.  She was raised in Haiti by her aunt and uncle.  She finally joined her parens, who had left for the United States earlier, at the age of 12 in Brooklyn.  Danticat began writing at the age of 9 years old.  Her move to Brooklyn was difficult so she turned to literature for comfort.  Her first published writing in English was A Haitian-American Christmas: Cremace and Creole Theatre.   Some of the major themes that are dealt with in her writings are mother-daughter relationships, national identity, and Haitian diaspora.

She has been decorated with  countless literary awards and honorary degrees.  Having earned a Masters of Fine Arts from Brown University, Danticat has gone on to write many well-known titled books such as The Farming of the Bones, The Dew Breaker, and her latest novel Claire of the Sea Light.  On a high note, a young director named Easmanie Michel fell in love with Krik? Krak! and is working diligently to bring Edwidge Danticat’s short story Caroline’s Wedding to the big screen.  She believes that Danticat’s work will translate well on-screen and she has been entrusted to make it happen.  If you’re interested in keeping up with the new developments on this film project head over and check out Easmanie Michel’s Facebook page Caroline’s Wedding.

 

My Copy:  Krik? Krak!, paperback 224 pages

Rating: *****

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Baileys Women’s Prize for Fiction 2016 Shortlist

The Baileys Women’s Prize for Fiction  2016 Shortlist was announced earlier today.  I have to say I’m a little disappointed. I expected  a stronger less predictable shortlist.  I’ve read only two titles from this shortlist and neither of them rocked my world – The Green Road by Anne Enright and Ruby by Cynthia Bond.  The only others on this shortlist I planned on reading are A Little Life by Hanya Yanagihara (sick of hearing about it) and The Glorious Heresies by Lisa McInerney.  So here is the shortlist in full.  Do you find any of these intriguing?  Are you planning on reading any of these?  If so which ones? What do you think of this shortlist?

the green road    the improbability of love   a little life

the glorious heresies    ruby   the portable veblen

I’m an affiliate for The Book Depository. It would be much appreciated to click the link below if you’re interested in picking up any of my recommendations. It will help fund my incessant book buying.
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Baileys Women’s Prize for Fiction 2016

Baileys Women's Prize badgeIt’s that time of year again!  The Baileys Women’s Prize for Fiction 2016 longlist was announced earlier today.  The list is surprising and vast in subject matter.  These 20 novels were chosen from a list of 150 books which the judges read and narrowed down between themselves.  There are some oldies and some debut novels too.  On the longlist of 20 titles there are approximately 8 that I’m interested in reading and one of those 8, I already started to read last year, A Little Life.  I got to page 200 and quit.  There are actually two I’ve already read.  Now that’s a first for me:  Ruby and The Green Road.  I was happy to see three black women on the list: Ruby a debut novel by Cythinia Bond which I read in 2014 at its release, Pleasantville by Attica Locke which is the second thriller, starring the lawyer Jay Porter from her first award winning Black Water Rising, and lastly The Book of Memory by Petina Gappah, a Zimbabwean author.

Sci-fi lovers will be happy to see The Long Way to a Small, Angry Planet, which has been getting oodles of love everywhere since its release in 2014.  Now what I’m a little surprised at are the novels on the list that were released in 2014.  I thought the majority of the list would contain books from 2016 and January 2015 at the latest.  I’m a little disappointed that Jam on the Vine (2015) by LaShonda Katrice Barnett didn’t make it to the longlist.  So since books from 2014 can be nominated as well, let’s just hope A Little Life doesn’t cast a shadow over the newer books.  It’s obvious it will make its way onto the shortlist because of it enormous popularity.  Not sure if that’s a good thing or a bad thing.  I’ll definitely let you know if and when I finally finish it. 😉

The shortlist will be announced Monday, 11 April and there will be a shortlist reading and discussion event on the eve of the announcement of the winner, 7 June.  The winner will take home £30,000 and a limited edition bronze known as a ‘Bessie’ on 8 June 2016 in the Royal Festival Hall in London.  This year’s presiding Chair of Judges is Margaret Mountford, a lawyer and businesswoman accompanied by judges Laurie Penny, award-winning author Elif Shafak, singer-songwriter and author Tracey Thorn and broadcast journalist, Naga Munchetty.

Good luck and may the best books go on to the shortlist!

Baileys Women’s Prize for Fiction 2016 longlist:

A God in Ruins – Kate Atkinson

Rush Oh! – Shirley Barrett

Ruby – Cynthia Bond

The Secret Chord – Geraldine Brooks

The Long Way to a Small, Angry Planet – Becky Chambers

A Dictionary of Mutual Understanding – Jackie Copleton

Whispers Through a Megaphone – Rachel Elliott

The Green Road – Anne Enright

The Book of Memory – Petina Gappah

Gorsky – Vesna Goldsworthy

The Anatomist’s Dream – Clio Gray

At Hawthorn Time – Melissa Harrison

Pleasantville – Attica Locke

The Glorious Heresies – Lisa McInerney

The Portable Veblen – Elizabeth McKenzie

Girl at War – Sara Nović

The House at the Edge of the World – Julia Rochester

The Improbability of Love – Hannah Rothschild

My Name is Lucy Barton – Elizabeth Strout

A Little Life – Hanya Yanagihara