Intense. Surprisingly addictive. Mounting intrigue. Anna is an American who has to all intent and purposes met and fallen in love with a Swiss called Bruno. He is tall good-looking, unwavering, and candid in his opinions. She has lived in Switzerland for 9 years and still doesn’t speak German fluently. Her life is evolving as if on autopilot. Switzerland and its people don’t seem to want to let her in or is it that she doesn’t want to fit in. After living 9 years in Germany the reader could probably assume that Anna doesn’t want to fit in (that’s what I assumed) and that she is just simply an unreliable narrator. However, I’d say that is not exactly the case.
Anna is often very honest about her feelings to the reader and about the various events she goes through. She is also very clever with her scrutiny and descriptions of the different characters she has relationships with. The third person voice acts like a journal, where we hear her every thought – her fears, her loneliness, her desires. Hausfrau has a similar voice that seems to be common at the moment in a few popular contemporary novels – female voice that’s raw and direct i.e. Gone Girl, The Girl on the Train, etc. Fortunately, Anna’s voice is not annoying but realistic. Actually at some point, I felt sorry for her (didn’t last long) even though most of her problems stem from her incapacity to make proper choices and to evolve to something better.
Hausfrau’s structure is what gives it an originality that makes it interesting. It explores more than just a discontented housewife who’s trapped by home chores and such. That’s because oddly enough most of the time we follow Anna when she’s outside of the house. The juxtaposition of German language grammar and pertinent statements and questions from her psychoanalyst, between reading about Anna’s dalliances, disclose thought-provoking reasons why Anna has difficulty adapting to life in Switzerland. In no way are all of those questions answered but there is a brilliant case made for how important some life decisions are and how they can affect us for the rest of our lives. The onset of Hausfrau felt like a typical unhappy housewife story, but in spite of that beginning it gradually won me over with its structure. It’s like reading about a train wreck ready to happen, but it’s a quick read and full of lots of twists and turns that will keep you entertained. The weaknesses of Hausfrau – the predictable ending and I would have liked to see Anna evolve into a stronger woman as the story unfolded, but she seems to remain unchanging in character, no development. She didn’t even seem desperate towards the end. It seems this type of contemporary novel featuring weak women is becoming regrettably trendy. Even though, it’s definitely a good read and looking forward to Essbaum’s future novels and I may even try to pick one of her other poetry collections.
Have you guys read Hausfrau? If so what did you think?
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